The story of the exiled king and his family in Ratnagiri, a sleepy port town south of Bombay, is worth a novel in itself, and the first two of the story's seven parts, which relate that history and Rajkumar's rise to wealth in Burma's teak forests, are marvelously told. Rajkumar carries the memory of their brief meeting through the years to come, while he rises to fame and riches in the teak trade and Dolly travels into exile to India with King Thebaw, Burma's last king Queen Supayalat and their three daughters.

As a crowd of looters pours into the fabled Glass Palace, the dazzling throne room of the nine-roofed golden spire that was the great hti of Burma's kings, Rajkumar catches sight of Dolly, then only 10, nursemaid to the Second Princess. The year is 1885, and the British have used a trade dispute to justify the invasion and seizure of Burma's capital. Yet Ghosh (The Calcutta Chromosome Shadow Lines) is a beguiling and endlessly resourceful storyteller, and he boasts one of the most arresting openings in recent fiction: in the marketplace of Mandalay, only the 11-year-old Indian boy Rajkumar recognizes the booming sounds beyond the curve of the river as English cannon fire. There is almost too much here for one book, as over the years the lives and deaths of principal characters go flying by. Ghosh's epic novel of Burma and Malaya over a span of 115 years is the kind of ''sweep of history'' that readers can appreciateDeven loveDdespite its demands.

The glass palace author